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Updated: May 1

Spring



From the window I saw a red-tailed hawk, perched


in a tree, eating one of the neighbors’ chickens.



I’d seen that chicken before, standing in the sun


next to her sister, new grass and clover



beneath their feet, while the neighbors worked


on the coop. I knew they might shrug it off,


say, That’s nature, bound to lose a few.



But if she had been mine, I would want to know


what had happened. Someone over there had cared


for her, fed her, maybe petted her feathers.



I decided to leave a note. I started to write,


She seemed like a nice chicken—quiet, demure,



winsome even. Then I stopped myself.


Best to stick to the facts. At the end, I added,


So sorry. I left the note in their mailbox.



Walking back, I saw a burst of feathers


below the branch where the hawk had been.


Some of the feathers had a little curve to them,



like a chrysanthemum tricked into early bloom,


perennial though the flower is gone.




These Days


When I get up, it’s still dark. I feed the cats,


set the coffee to brew. To oats soaked


overnight, I add cinnamon, candied ginger,


blueberries, a sprinkle of split cashews.


I imagine the hands that dug the ginger


and cut it into cubes before my hands


cut it into smaller cubes. I sit by a lamp



and read a poem in silence. I listen.


Beyond the burble of coffee dribbling


into the carafe, I might hear howling wind


or the no-sound of snow falling. Maybe


a late owl or the neighbor leaving


for an early shift at work. I think of you,



so far away, out west where I once was,


coastline eroding into its own majesty,


hazy valleys sprawling under geometries


of light, asphalt ribboning the land


with traffic that barely lessens overnight.



I wish you could be in the same blue


as me, this darkness blue as blueberries.


Wish I could roll it over mountains


and canyons to you. My friend,



what do you do to sustain yourself


these mornings, these days?



Losing My Mind



I started losing my mind again.

But then I wondered why we say

losing my mind, when it’s really

being submerged, engulfed,


consumed by mind. So I revised

to losing myself to mind. And then

I wasn’t anymore. I was thinking


about thinking, choosing distance

without losing anything. That night,

I was lying on my side, a question

that might never be answered,


when the disruptors arrived,

clearing four stairs at a time,

chirping from the darkness


of their throats. One curled

into the cradle of my belly,

where a baby would’ve been

if I’d ever thought to have one.


The other pressed himself

against my back, facing away,

bones of tail along bones of spine.


The three of us dissolved

to listen for the first bird

of morning, which never lasts

but always comes again.


 

Brett Warren (she/her) is the author of The Map of Unseen Things (Pine Row Press, 2023). Her poetry has appeared in Canary, Halfway Down the Stairs, Harbor Review, Hole in the Head Review, ONE ART, Rise Up Review, and other literary publications. A triple nominee for Best of the Net 2024 (Poetry), she lives in a house surrounded by pitch pine and black oak trees—nighttime roosts of wild turkeys, who sometimes use the roof of her writing attic as a runway. www.brettwarrenpoetry.com






 

Lior Locher is a nonbinary mixed-media artist, mainly working in acrylic, collage and printmaking. After having lived in 6 countries on 4 continents and being homeless at some point, they are now based at the English seaside. Their training is in personal development, coaching and therapy, they are fascinated by people’s inner lives and how we make sense of our own inner journeys as humans, and the inner dynamics and stories we tell ourselves.

The mixed media collages are part of a series on foreignness, strangeness, diaspora and living in several cultures, and the attractions of a big city for people who are a bit different.

The film “A beauty I cannot capture” contrasts two visits of the same performance art exhibition pieces with a 15-year time difference. This provides a backdrop for exploring coming out, new disability, co-creation between strangers and how that changed with smartphones, and what (if anything) remains of an experience in our memories, and in the world. The film is 7 min, hand-drawn and had its debut at the House of Smalls’ "between the lines" exhibition in February 2024.





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