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Updated: Oct 30

A Wound Is An Opening

 

A baby, my brother, his head heavy

with no-speech, propped up against plush

pillows, his heart recently opened like a bifold:

the dime-sized hole sewn up hastily

before anything else vital

slipped out. There I was a girl

practicing cartwheels

on the pintucked pink couch

whose back rested against a window

I threw myself into – a foot breaking glass,

bright blood at the heel and later black

as it dried onto the stiff stitches,

stitching the tiny wound.

A wound is an opening.

His chest a riverbed of scar tissue.

On my foot, all that remains:

a tiny white mark in the shape

of a wishbone.



The Pool

 

Pa built one, dug the hole

with a few of his friends

till the earth piled up and I’d scale

the excess mound in search

 

of treasure. To save money,

he stretched the sides of Mystic Blue,

a liner he’d found on clearance,

laid the tile himself.

 

From the back patio we watched

the lines of his face darken

with dusk, the gaps slowly filling

with grout. After the cool groundwater

 

was called from deep soils

through a bright hose, chemicals

added, temperature brought to a balmy

eighty-six degrees, he stepped in,

 

my wordless brother stiff in his arms.

I’d heard of baptizing,

and even though we had no god

in our house, this is what I remember.

 

My father moved through that chlorinated lake

holding his first-born – small arms akimbo,

hair loose snakes – sashaying

him across the calm surface,

 

while my brother, very slowly,

relaxed his tense muscles, gazed

skyward. Then, finally, my father

threw back his head and laughed.

 

Sonya Schneider's poetry can be found or is forthcoming in Catamaran, Naugatuck River Review, Potomac Review, Raleigh Review, Rust & Moth, Whale Road Review and elsewhere. She lives and writes in WA.




Updated: Oct 30





—After Em Berry’s “Because of Us

 

The English word is gauze—(a finely woven medical cloth), comes from the Arabic word  غزة or  Ghazza because Gazans have been skilled weavers for centuries.


There is no need to wonder

 

Wounds will continue

to be left open

and not because

 

There isn’t enough wounds

left in the world

that can’t be dressed

 

But because we have

ran out of all the gauzes

to save anyone that is left



Daedalus


the boy washed ashore

with melted wings, his still body lay

for days—turning and turning

one new color after another

 

Ilari Pass is a four-time Best of the Net nominee and other accolades, with Greatest Hits appear or forthcoming in BULL, Dialogist, South Dakota Review, Cutleaf Journal, Pithead Chapel, and others.




Updated: Oct 31

the desert in between

 

grackle cloaked

in purple-black sheen glares

with one golden eye

this land

lies supine under a moth-eaten sky

whir of dragonfly

wings in the hushed

     desert night 


 

wind wails

through the emptied eyes of a

coyote’s skull

 

 

 

vulnerable, bruised

lake crawls

back and into herself

gray-white

ash left on her unmade

bed

 

 

 

demon’s breath on my face

thorn-coated

tongue licks sweat

from my neck

 

 

hooded moon turns her pallid face

to dark

 

saguaro’s corpse

beside a

rattler coiled nearby

twisted, dry

horned owl calls

at midnight

 

 

 

cricket click-crawls

 

 

       a hiss rises like two hands from the ground



I step outside these words       and find you—

 

Natasha N. Deonarain is the author of two chapbooks, winner of the 2020 Three Sisters Award and Best of the Net Nominee. She was born in South Africa, grew up in Canada and currently lives in Arizona.




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